Morning by the Red Lilies

Sometimes things happen for the best. I had just set this painting up. Those warm rust-orange reflections of dead Crocosmia Lucifer leaves reflected in the basin setting off the deep pinks and reds of the James Brydons. and then the bright yellows of water lily leaves hit by morning sun light. wow! you die for such a day. what a symphony. I was enjoying some "calligraphy"- freely drawing with a fine marter hair brush in deep blue. actually that came from Bill Schultz' lessons in the 1960's, Pittsfield, Ma. Draw and then go back to forms of colors. well, I was having a grand time and a voice behind me said,"better leave it alone now". He was a stranger on a walk with his wife and he knows the problem of when to stop very well. Hans Visser from Rijswijk is also a painter. he was the man with the hammer. It takes two to make a successful painting= the one doing it and someone standing behind with a hammer who hits you over the head when HE thinks you have said what you wanted to.
And now keep my hands off and let it sink in. I am enjoying looking at all the passages, but, knowing me and a certain perfectionism, everything can change.

Cool Waters

When it is really warm here in Holland which is not too frequently, I like to sit by the waterlily ponds and paint in hot colors and strong contrasts. Luckily there is often a cooling breeze making the project all the more pleasurable. Lots happens in the water= interesting ripples, ripening pods trying to reach up to the light, surprising reflections. I have chosen again to sacrifice a painting I thought did not quite meet up to standards. Painted over it. I am happier with this result. Thanks for looking.

Victoria

Back from 9 weeks in the Hilltowns of Massachusetts. I started a series of my squares, conversations in oil paint on panel, including this one of Victoria Ahrensdorf, teacher and practioner of Felderkrais Therapy in Northampton, Ma. Both her work and her presence inspired and helped me. Thanks, Victoria.